Please feel free to link to this blog or use the handy e-mail tool at the end of each post. However, all contents of this page are copyrighted by Cindi Huss. Reproduction in whole or part without written permission from the author (Cindi) is prohibited. This includes all images unless otherwise noted.

Monday, June 14, 2010


Well, it's summer and there is no such thing as routine for the next two months (and the one month behind us). That means there is no such thing as regularly getting work done, so I'm fitting in what I can when I can and joyfully enjoying my children, too.

When I'm waiting during dance or instrument lessons I'm usually sketching or stitching samplers for Sharon's commission. It took me a while, but I finally figured out that if I do my "draft" on muslin I don't have to rip it out if I don't like the color--I can just change the color and then stitch on the actual piece. So, for instance, here's a little piece I did last week.

I like the shape, but refined how to make the intersections less awkward as I went and tried out some other color combos along the edge.

Now I'm adding this motif to the final product--and I'll have a little mini "study" quilt to sell at some point as well. Muuuuuch better than ripping out stitches!

Had the blocks done for this.

My oldest, who likes things just so and symetrical, finds its asymetry annoying, but my youngest thinks it's swell.

It was to be a king-sized quilt for my bed, but hubby wants another "Almost Amish" quilt, so figured I'd had enough fun with these blocks and put them together.

I am very pleased with the result, particularly as I managed a horizontal rather than a vertical orientation for the first time in, I think, ever. I kept meaning to do a horizontal piece yet it would morph partway through and come out as an exaggeratedly tall and slender piece.

I am using the last two chapters of C.S. Lewis's The Last Battle to inspire the quilting and provide the title: "Further Up and Further In."

I have a couple of other thing in the queue, but Sharon's commission is my top priority this summer, so everything else is more of a back-burner project. She gets to be the first to see that piece, though, so no sneak previews here except the sort that you see above.

No comments: